Un cant a les dones que a trav\u00e9s del seu comportament lliure van comen\u00e7ar a obrir portes a les noves generacions.<\/p>\n\n\n\n
La Carmina \u00e9s una dona gran, independent, amb car\u00e0cter, que estima la vida i viu com vol. Malgrat que \u00e9s gran no pensa en la mort. Per\u00f2 el metge li comunica que t\u00e9 c\u00e0ncer i que li queda poc temps de vida. Que la poden ajudar i que, com que viu sola, la poden fins i tot ingressar si aquesta \u00e9s la seva voluntat. La Carmina s’hi nega en rod\u00f3 i a partir d’aqu\u00ed far\u00e0 front com podr\u00e0 a les seves darreres setmanes de vida. I \u00e9s aleshores, en el moment de posar en ordre papers, tirar trastos i fer testament, que pensa que podria deixar gravades -ja no t\u00e9 forces per escriure- les seves mem\u00f2ries per a les nebodes. <\/p>\n\n\n\n
La Carmina les vol sorprendre. No tenen ni idea del que amaga la joventut de la seva tieta. A partir d’aqu\u00ed comen\u00e7a un seguit de records que gravar\u00e0 i on deixar\u00e0 const\u00e0ncia d’un gran amor, uns records de joventut de postguerra amb la seva mare v\u00eddua i empres\u00e0ria (un personatge capital en la seva vida) i un retrat de la Barcelona de Porcioles. En definitiva, dibuixar\u00e0 la vida d’una dona determinada a viure en plenitud i amb llibertat, tot i que amb discreci\u00f3 per allunyar-se de les murmuracions.<\/p>\n\n\n\n
Gemma Lienas recupera de manera immillorable la Barcelona dels anys cinquanta i retrata l’actual, en un viatge perfecte que ens mostra la transformaci\u00f3 de la ciutat i la seva gent.<\/p>\n\n\n\n
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